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Anthony Van Dyck
Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung
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ID: 76676
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Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters. Related Paintings of Anthony Van Dyck :. | james tissot | thomas phillips geord | Selbstportrat | Self-Portrait | charles emile auguste carolus duran | Related Artists: MASTER of the Aix AnnunciationFlemish Northern Renaissance Painter, active 1480-1520 KNUPFER, NicolausDutch/German painter (c. 1603-1655) Bartholomeus van Bassen(1590 - 1652) was a Dutch Golden Age painter and architect.
Van Bassen was born in Antwerp. Little is known of his early life, but according to the RKD he became a member of the Delft Guild of St. Luke in 1613. In 1622 he moved to the Hague, where he became a member of the The Hague Guild of St. Luke two years later and where he became dean in 1627 and headman in 1636 and 1640. He is known for his architectural works, sometimes with staffage by the painters Anthonie Palamedesz, Esaias van de Velde, and Jan Martszen de Jonge.
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